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The best bands are the ones that operate like gangs, the ones who formed to kick back at the world and act as a kind of orphanage for similarly displaced youths. Said bands don’t care about anything as much as they care about being that band. Music becomes the unifier, a language that can be joyful and sorrowful at once, and always cathartic. The pure authenticity of the band is in their refusal to pander to rules and expectations. It’s their way or the highway. MUNA are that band. They finish each other’s sentences, they are one another’s biggest cheerleaders, they have a language between them that defies American English, and in conversation they can’t wait to get onto the subject of their shared queerness as fast as possible. MUNA came together like a ride-or-die clique would form in a cult classic teen movie. If three’s a crowd, MUNA are the one you wanna hang with. Imagine the opening scene. It takes place at USC in LA, sophomore year. Katie Gavin, a newly arrived transfer student from NYU, is walking out of an African Diaspora class where she’s just met a cute girl with a twice-pierced nose called Naomi McPherson who she wants all her friends to meet…
Wanna know more about MUNA? Click here